Brick Wednesday Update

It's Wednesday again and I was able to fit a couple of bricks onto the tapestry wall I am weaving.

Today I wanted to try out that 'turn on the valley or mountain' concept. I have heard about it but never really explored it. I generally turn whenever to achieve whatever look I want to get...without any real thought about it. Koehler emphasized that you should be consistent in which you chose in each area for the best looking result.

Koehler explained that if you are weaving an area where one color is increasing and the other decreasing, you can achieve two different looks at the point the two colors change. The look depends upon whether you turn the brown yarn around the warp that is up or around the warp that is down. So I wove a brick and always turned the brown warp on the lower warp to see what would happen.

Yup...there is a difference. As you can see, on the bottom half, where the brown yarn is decreasing, turning on the lower warp yields a more ragged look than on the upper half of the photo where the brown yarn was increasing. Interesting.

So let's see...where two colors meet along a line...one color will be increasing and the other will be decreasing. For a smoother line, have the decreasing one always turn on the upper warps [then, of course, the increasing one will then turn on the lower warps].

Hmmm...I think I will need to really focus on this next time I am weaving a section where the concept applies. Not the easiest thing to remember.

I wonder how the line would look if I alternated each time...

A Conversation in Fiber

For our Guild challenge this year, we have been challenged to have a conversation in fiber with either Georgia O'Keeffe or Piet Mondrian utilizing at least one of the conference colors for ColorConnects, a fiber conference spearheaded by the Association of Southern California Handweavers. It takes place in Riverside California in March 2009 and focuses on color.

So my challenge is fairly simple in concept. Have a conversation in fiber with O'Keeffe or Mondrian utilizing at least one color from a selection of five That's pretty much it -no further restrictions or limitations. Fiber is basically fiber and a conversation is basically that.

I have selected Mondrian. And have decided to create a hat encompassing a bit of a bird theme. I cannot think of anything less Mondrian than a bird. So now I have a challenge.

Clearly Mondrian's focus on proportion is critical to his pieces. The two concepts backing his most momentous pieces are contrast of proportion and contrast of hue. James Koehler discussed both of these in the color seminar I took at Convergence.

Before I do much study into either concept or the theories underlying Mondrian's pieces, I took a try at creating a Mondrian style design myself.

It looks a bit like Mondrian but just not right. Need to work on the mix of vertical and horizontal shapes as well as the position and quantity of the colors. I do like the three colors I have initially selected to use with the white and black. I need however to be open to using the other two possible colors also. When weaving with taquete the colors tend to blend a bit with the warp color as well as whatever is adjacent.

This will be the band of the hat. It needs to be 26 inches long and will be woven in sewing thread. When considering the proportions I need to remember that the viewer will not see the entire 26 inches at once.

More later...

Knitting Sighted

What? Is that knitting I see?

Yes, this is a knitted scarf I finished upon returning from Tampa. It is basically knitted I-cords which were woven into a scarf. Yes, indeed I do remember how to knit and yes, I did knit in public. I knitted it while on the various airplanes or in various airports over the last several weeks.

I must admit I forgot how to cast off so I used safety pins. When I got to the last leg of my trip I had nothing else to do but play around dropping stitches in different ways until I finally remembered how to cast off. Happily, I had all the I-cords completely finished by the time I landed at LAX.



The idea for this scarf came from Knitting New Scarves, 27 distinctly modern designs by Lynne Barr. I like the book since each scarf is really different not due to color nor yarn but due to its shape or structure.



The warp is simply five I-cords knitted in some silk I found in my stash. The weft is also a knitted silk I-cord but knitted with smaller needles. I originally knitted the weft in an off white silk with number 3 needles. When I wove up the weft and warp, it had to be the ugliest thing I have seen in quite awhile. Even my DH thought it was 'not good'.



My roommate at Convergence said she just bought a little gadget at Joann's which made I-cords by turning a little crank. Sounded intriguing so I bought one. I then proceeded to make yards and yards of I-cord from some thinner purple silk I had dyed for a previous project. Once woven with the original warp - I took the picture above.



Far better than the first attempt and better than the one illustrated in the book. I'd really like something a bit thinner so I could wear it more in California. I have a lot of perle cotton in my stash. I may try that next if [when?] the weaving of my two tapestries gets too frustrating.

Ebb Tide Exhibit

Here is a photo of the Ebb Tide Exhibit at Convergence in Tampa. The blue yardage with the two sailboats and START at the top is mine.

All the pieces were hung down from a rotunda. There were enough pieces to go all the way around. You could view from above or below. From below they had a list of the pieces, names and artists. All the pieces look spectacular.

On the top level they had the samples along with the descriptions. It was a bit hard to view from the top level since the samples and descriptions were right above where the yardage was hanging. I would touch the sample then kind of hang over the railing to get a good view of the yardage. I would then go around the rotunda to get a better view of a specific piece but would be distracted by another sample to touch.

But hey, it made everyone stay longer and enjoy the pieces more!

Shaped Tapestry

I took a one day seminar with Susan Iverson on shaped tapestry in Tampa. It was quite interesting. Something light, amusing and a bit intriguing. Susan had a tapestry at the Leaders Exhibit of a portrait with three shapes coming oddly out of his forehead - she achieved this with a technique she called shaped tapestry.

My sample is in the photo. I achieved the curved effect by weaving a straight piece with five triangular spacers on one side. Once I took the piece off the loom, I pulled the warp ends so the negative space from the spacers disappeared making the piece curve. The pink 'nose' and two green eyes were achieved with rectangular spacers.

The weaving is easy. The pulling of the warp is clearly the most fun part of the entire workshop. Susan had slides which she should both her own and the work of her students using this technique.

I have no idea what I would use this technique for, but I am glad I took the workshop. It provides a useful tool for my weaving toolbox.

Wedge Weave Bricks

Here is a photo of the bricks from last week and today's Brick Wednesday. This is a nice project since I know I only have to weave one brick on each Wednesday...or I can do more. Last week I didn't feel like weaving. Today I was quite busy packing.

These bricks are my first attempts at an intentional wedge weave. You can see the edges bulging out already and the tension is still reasonably tight. I just noticed on the photo that I have some warp peeking out in places...this must have happened after I finished weaving since I can't believe I would have allowed warp to show as I wove. Perhaps, I will need to beat the yarn in harder so it doesn't shift exposing the warp.

Next Wednesday I will try some virtual brick weaving...I'll be travelling and my counterbalance floor loom doesn't travel well.

Now What to Do?

I have that post completion let down. You know, that feeling you have when you work super hard to get stuff done for a deadline and then you are abruptly done with what seems like nothing to do. Once complete there is a certain eerie calmness; like floating around in the ocean with nowhere to go.

I have sixteen pieces being shown in a variety of exhibits and galleries in Florida around the time of Convergence. Getting everything finished and out the door to the right place by the right time took what seemed like months. I also had to get a CD made for the National Fiber Arts Exhibit in Escondido. That went into the mail today. I also had a special small secret project to finish...and it's done too.

Now what to do...it's not Wednesday so I can't weave a brick. But someone commented that she works with wedge weave on her tapestries and that got me thinking...perhaps I should weave a brick or two in wedge weave. I have never done wedge weave intentionally before so it would be fun to try it.

Early in my weaving life I wanted to weave a perfectly square tapestry...actually three squares inside each other...I was really inspired and 'into' Albers' squares . Since I really didn't like to sew slits I thought it would be a good idea to weave the three squares on a diagonal to avoid the slits. Looked absolutely beautiful on the loom. But once I took it off however, the tapestry came to life, twisted around and ended up in a pyramid shape.

I couldn't believe what happened so I wove the same thing two or three more times...each time weaving it tighter and beating harder. But it always came out the same. It didn't matter, once I took the piece off the loom it went from a 2-D square to a 3-D pyramid.

In the end I stuffed and sewed them. Here's a photo of them resting next to a carved wooden platypus from Australia. I get a kick out of these pieces every time I see them.

So weaving an intentional wedge weave brick is on the queue for Wednesday. But what to do now?

A Future Project

Check out the third illustration here...I wonder if that effect can be achieved in tapestry...or fine threads...something to put on the queue.

Nothing like weaving a brick

The second brick Wednesday came and went and another row of bricks have been layered into my wall. This row is all twill...giving me the opportunity to easily visualize what happens when you use two alternating colors.

I started on the left with a half of brick in a solid twill with pink yarn. The twill goes in reverse to the one immediately below. Half way through weaving this half a brick, I had one of those 'duh' moments...those special moments when you realize the obvious. It's not that I didn't know it, it just never came to the top of my consciousness.

Anyway, what I noticed was the variance in the shadows created by the two twills going in opposite directions. Even though the two bricks where different colors, the shadows on the two bricks were quite different - particular when I moved my lamp around to shine the light on it.

I realized this would be a wonderful way to achieve a different look in my Tapestry Study in Black that I am about ready to weave. The tapestry will be entirely in black yarns and depict Uranus and it 23 moons. Since all the yarns will be black, value will not be an issue nor will hue selection. The key will be to achieve the successful depiction of subject and creation of visual variety & interest entirely through the sheen of different yarns. Now I realize the warp pattern I use will be another tool in my tool box.

Nothing beats weaving a brick.

Brick 1 & 4

Tomorrow is Wednesday...Brick Wednesday...the one day of the week when I get to weave on my old counterbalance loom. It has been extremely difficult to not weave on that loom during the week...all I could do is walk by and touch it...and think about what I would like to weave next.

I never got the pictures of the two twills I did. The first is the simple twill in a hand painted mottled yarn. It's feel is fabulous...a nice repetitive bumpiness and texture. I do want to explore using twill more. It will be interesting to see how hatching will look as what I could do with dots. The pattern would be great to provide texture in a tree or landscape.

The second is a zigzag pattern where I changed the direction of the twill each third round trip. Between the mottled blue yarn and the zigzag pattern, it says 'chaos' to me. Looks like it would be wonderful to use in an scene with big waves breaking on the beach or the churning of the water underneath the wave.

Brick 2 & 3

Oops...I posted this on the wrong blog...I forgot this was an exploratory piece and deserves to be here. ..

to read about Brick 2 and 3 click HERE.

Brick Wednesday - Week 1

Things are starting to settle down and I am warping up all my looms to start 'creating' vs. 'finishing'. It never occurred to me that getting ready for gallery exhibits would be so time consuming.

I gave a talk at a recent Guild meeting on the topic Is Weaving Genetic. I showed a fair number of photos of my Mothers work as well as mine. My Mother was a textile artist up in the Wine Country of California and she loved tapestry and baskets. One of the photos I showed was of my Mother's old counter balance four harness loom which is now sitting in my studio. The loom hasn't had anything on it for several years and I thought it would be nice to fill the loom with warp and have some fun.

I warped 24 inches at 5 epi [yes...5 epi! Never done anything this wide before] using some fairly thick cotton I had sitting around. I actually don't even know if this stuff will work as warp...we shall see. I actually hand painted the warp with some emerald green, yellow and violet dye. I didn't let the dye sit on the warp too long since I wanted a light value for the warp - just not white.

I will be weaving a brick wall in various tapestry techniques. I intend to explore a number of things with my brick wall. I didn't want white warp since I will be having the cement part of the brick wall be exposed warp and explore how negative space can impact color and structure. Since I am doing a tapestry on a four harness loom I thought I would also explore how various structures [e.g. twill, basket weave, etc.] can be used to enhance a tapestry by adding texture and shadows. I also intend to use up some of my stash...I have lots of leftover dyed yarns from a variety of projects which I would love to use somehow.



I don't want to overly plan this project since I have several other projects which are highly planned. My working title for this tapestry is 'Brick Wednesday'.

My goal will be to weave at leave one brick on every Wednesday until the piece is completed. The brick can be whatever I feel like weaving on that given Wednesday. I, of course, can think & plan on the other days but just no weaving on this piece. There are lots of other looms that need attention.

Here is how I have started...I have four bricks at the bottom. I wanted to see what a twill, basket weave, tabby and zigzag twill would look like when entirely covering the warp as in tapestry. I didn't vary the yarn or do any tapestry techniques so just the structure would stand out. My closeup photos came out blurry so I will try taking photos again with a different camera.

But I must say, these four little bricks definitely have my brain working on overdrive. I really never understood why some tapestry weavers would want a four harness loom. Perhaps I am just beginning to have a glimmer of understanding...

Beginning the Finish...again

I am in the midst of finishing my yardage for the Ebb Tide exhibit in Convergence. I need to send it off in May. You may recall it is a 13 foot maze which you can actually get through if you stare at it long enough and don't get lost. There are clues woven into the maze to help you along if you know your nautical flags, signage and regatta flag indicators. The clues can also distract you along the way.

For fun, I decided to weave a small solution key to go with the yardage. Like the yardage I start at the bottom...or in this case the finish.

I had some extra warp after finishing some beetles and bracelets which I had on queue. You can see the bracelets here and read about the beetles here. The photo shows the beginning of the solution key. I have kept some of the pictorial elements also. The piece is less than 3 inches wide.

Sometimes I think I am nuts...but this time the weaving is quite fun and makes me smile. The colors are cheerful. The weaving focused and intense. Once finished I may make a smaller one and turn it into a bracelet to wear at Convergence. I think it might be cute to have a bracelet with start and finish at each end...

I Got Your Letter

Dear J -

I received your letter yesterday...

Yes, I have been amiss in not updating my blog. But I do think I have a good reason...five in fact. From the last time we 'chatted' I learned I had been accepted into five exhibits in Tampa in June of this year! Yup - five. Well, so what have I been doing? Lots of weaving, finishing, framing, mailing etc. And I am almost done...3 of the 5 are completely done, 1 is ready for unveiling at my meeting on Wednesday and one is in the finishing stage...hopefully ready for unveiling at my Friday meeting.

Here are the photos of the two that are going into the Complex Weavers exhibit called Weaving in the Computer Age - from inkles to jacquard. Tarpon Springs Cultural Center, Tarpon Springs Florida June 8th-July 30, 2008.

These are done in taquete with rayon and metallic sewing thread. The first is an aristobia beetle...the other two platynophus beetles - - both from Thailand. I wove three of these beetles each with a subtly different palette. These are the two from my personal beetle collection. The actual ones for the exhibit are a bit different so you will have to go to the exhibit in Tarpon Springs to see the versions that are hanging there.

Hope you like them!

I apologize for being incommunicado. I should be freed up in a couple of weeks and will able to chat more often... and actually work on the two pieces that have been swirling around my head for months.

Luv & kisses


N

ps. I will post photos of my other pieces as soon as I can. Some may have to wait until after the exhibits are open...

Delicate Dimensions

I am back to weaving with fine threads on my sixteen harness table loom.

I have put on several yards of black polyester serger thread as warp and am happily weaving away.

Here is my first pattern...as you can see I have three pieces being woven simultaneously....with two shuttles moving all the way across the loom and three moving only across their respective warps. The ones making the short trips rest on the c-clamps on each side of the loom. My maze pattern is on an excel spreadsheet on top of the loom.

The colors are reminiscent of a tiger...

Bamboo Samples

I bought six cones of bamboo from Webs last year for some reason that has escaped me for many months. I've got a wedding to go to in June so I have decided to weave some material and make some sort of jacket.

Anyway, I have six cones of 10/2 bamboo which is similar to 20/2 silk in size and feel. I've never woven with bamboo so I figured I should do some sampling.

The photo shows two scarves I wove to experiment with sett [24 and 30 epi], the warp values [one is with only dark values, the other with all six colors repeated in the warp] and a variety of undulating twills. They are much brighter in person than the color in the photo.

For the jacket, I figure the 24 epi sett is best. The 30 epi works nicely on a scarf but doesn't seem quite right for a jacket. There are two undulating twills I like and the appearance of the dark values in the warp is my favorite.

As for the jacket, I have a number of options.

I bought this Six Panel Jacket pattern from Nadine Sanders which uses two different handwovens. It might be interesting using two different colors/twills of green for the panels and have a lapel of all six colors and a multitude of twills. I also saw a real easy pattern in Handwoven last year which got me started...ah...now I remember...that is why I bought the bamboo yarn in the first place. Plus, I have two other jacket patterns that I have bought at past Convergences but never used.

Choices, choices, choices...better choose soon since I need to warp and weave!

His & Her Gourds

DH and I took a gourd class with Don Weeke where we learned how to clean and decorate a dried gourd with weaving, twining, coiling, couching, tenneriffe lace, knottless knitting, wood burning plus paints and leather dyes. Quite a fun and enjoyable workshop...would recommend it to all.

The results say it all: his and her gourds...

The Starting Line

I got the memory card reader to work so I now have some photos to share.

Here are two of the sailboats in the maze regatta. They are moving along the course nicely, having crossed the starting line without penalty. Below them along the course you can just see the 'keep marker to the port' flag in red.

The Starting Line is at the top of the maze...about twelve feet from the finish line. It is a long a arduous course with a variety of dangers and interesting spots. The sea seems to sparkle in many colors as the sunlight reflects off the water. And the water blends through many shades of blue. In some places, there is a slight reddish color indicating the presence of kelp beds under the water.

The start of the course is marked in a sparkling sea foam green...but it disappears several feet down and it is up to the captains to figure out how to sail the maze and get to the finish line first. The race officials' blue flag hangs at the bottom of the piece to indicate the official finish to the regatta.

Do I Knit?

Wondering if I still knit?

Remember I started a yellow scarf awhile ago? It was the pattern on September 22nd of the knitting calendar. It's done! [This is why I stick to scarves...check the date...it would take me a decade to finish a sweater!]

I really like it. It's a simple yellow cotton scarf with rows of perle. However, I just could not resist unravelling three stitches on each edge to add a fringe. I did make it shorter so as it lengthens it won't be down to my knees. It feels great around the neck...soft and warm.

It is fortunate that the scarf is done [and the maze]...since Santa brought me this real cool knitting book to get me back into the fun nuances of knitting. It has all these interesting shapes to try out

Now I just have to get some yarn....

ps. let's not discuss that one other KWIP...the shadow weave scarf

...I simply hate having projects not completed...

Maze is off the Loom

My Regatta Maze came off the loom yesterday afternoon - all 13 feet worth!

Whew! What a relief. Now all I have to do is weave an eight inch by eight inch sample and I am on my way.

Oh there is some finishing and final tweaking. I put the finishing and tweaking into two categories. The first is the grand tweaking - knotting and snipping the edges and ends that abound as well as removing some of the pressure lines plus a hem on the top and the bottom. These are what must be done so I can get a good photo to send the judges. The second category of tweaks are the detailed ones which could go on for weeks. There are for close up viewing.

The entire piece looks fabulous. The colors are good and the small images do not pop out and distract from the maze. The downside is that it is incredibly difficult to work yourself through the maze since it is so long and the route is circuitous. I am sure a few daring souls will attempt it...but I can see it will be necessary to provide a chart showing the route for all the other viewers who get lost.

...and you say...where is the photo?

...well my camera is on vacation - off sailing in the Windward Islands...but fortunately Santa brought me a new camera guaranteed to take fabulous close ups. I took some photos of the two sail boats at the top of the maze as well as the starting line. Taking pictures was a snap! They look great. Unfortunately, I have not yet figured out how to get the pictures out of the camera onto my computer.

I have tried everything on my computer...now I am off to my DH's computer...then to the memory card reader as last resort.