Tapestry Spiral

Here is a picture of my spiral tapestry which I have been working on for what seems like forever. It was woven as a tapestry, thirteen yards long and four inches wide with 182 darts of negative space. Once completed the negative space was removed by pulling the warp and closing the spaces. On one end, the original warp was braided and retained. Using this method a wonderful spiral was formed similar to tricolor fusilli pasta or a colorful spiral staircase.

Another view is here along with a description.

When it is opened it can take many shapes. In the top photo it is draped over a cylinder. I am experimenting in how best to show it.

It's first showing was in Riverside at the Color Connects conference where it was draped over a box. It received a first place in the multi-dimensional weaving category.

I have experimented with hanging but gravity seems to take a lot of the 'fun' out of it. It is also difficult to achieve a full shot with any level of detail since it is so long. The braided tails on one end are over six yards long. I just purchased three different sized hooks and will try hanging it like a snake over a branch and see how that looks.

More later...

Half a Dozen Bugs on a Scarf

I finished up my first bug scarf in taquete & silk... 20/2 silk warp and 60/2 silk for the tabby and the pattern. There are six different beetles each with their inverse on the back side. The piece has fringe on all four sides and from the photo needs a much better ironing.












The drape is not quite like the sample but perhaps it isn't completely dry. The sample seems smoother and silkier. The next one I will do will have a tighter sett. This is at 24epi which is a bit too loose so I will probably try 30 on the next one.

From a weaving standpoint, It took a couple of weaving periods for each bug. What is a weaving period? It starts when I am in the mood to weave and continues until the dogs want to go on a walk or I have to un-weave too many rows. Usually it's about 90 minutes to perhaps two hours.

Spiral Tapestry - almost done

I have been having a fun time finishing this tapestry. It is probably the first time I have really have enjoyed the finishing process. I am also excited about the end result.

What I am doing here is drying the yellow orange warp in the middle of the photo. I just dyed the white warp that color to match the yellow weft in the piece. I may add a few beads there and that's it.

The warps at each end were twined with my handy four clip fringer. Remember that I pulled about 13 yards of warp through the tapestry so was lots remaining on each end. One side I cut off fairly short. The other end...the one wrapped in plastic...is also twined but the ends are not short. The longest end is probably 6 yards long. It took awhile to twine those puppies. I was standing all the way down the hallway. I keep them wrapped up to avoid tangling.

It's a great organic piece. I tried hanging it but gravity gives it much too uniform look. It is much more interesting just 'lying' around.

Bugs in Silk

I finished my sampling of a 20/2 silk warp in taquete so I can now start weaving. Here is the first beetle. There will be six different beetle species in a mixture of blue, light blue, yellow and orange. The background, beetle and fringe will vary by section. It's a silk bug sampler scarf.

Before I started I had asked a number of folks what sett they thought I should use to get a real nice drape for a scarf with 20/2 silk in a summer/winter or taquete technique. I got numbers from 18 to 40 epi. "It depends." When I asked on the weavetech list the recommendation was 2/3rd of a twill set-up. ie. 22-28epi. Since I make less mistakes sleying if I use a multiple of 4 or 2 I decided to go with my 12 dent reed and a 24 sett for my sample.

I played around with a variety of 20/2 silk colors for the pattern and tabby weft and didn't really like any of them. My original selection of colors was thrown out quickly. I got out my 60/2 silk which I have never woven with and tried that in combination with 20/2. Then I did some with only 60/2 silk. I took the sample off - threw it in the washing machine and dryer to see how it would wet finish and ironed the puppy. The best feel was the part using 60/2 silk for both the pattern and tabby weft. It was really soft with a lovely drape. So much softer than anything I have woven before. The parts with the 20/2 weft had that heavier stiffer feel which was not what I wanted. The 24epi sett may be a bit too loose I am not quite sure...it does tighen up in the finishing process. I decided to try this set up for one scarf. I have warped enough for two.

So now all I have to do is tweak a few beetle patterns from my extensive collection and weave away.

Warp Ends

I had taken a workshop with Linda Fry called Gamps Galore. The workshop was a round robin affair and my loom was warped with a summer and winter setup. My loom/pattern was not too popular so I had a bunch of leftover warp.

To keep my sanity, as the days to Color Connects countdown quickly I decided to weave a bit everyday on the leftover warp in a nice friendly beetle patten. Nothing more calming than a beetle. I modified the tie up a bit so there would only be one pattern and used a multi-colored rayon/linen weft as the patten weft.

I designed a quick beetle and wove it over and over again in taquete. I really have never woven taquete in just two colors...I am normally using at least 3 but more likely 4 or 5 shuttles with different colors. It's comforting using only 2 shuttles...and is quite easy to weave. The result is nice since the pattern shows up on both sides - the basic summer and winter concept.

I will eventually use this in a jacket or something like that. I have several cones of complimentary yarns which I bought many many years ago. Eventually I will get to weaving the yardage to go with this piece. That's a longer term project...

In the short term, I am going to try this in silk. I'd love to have a scarf with beetles on it with a really nice drape.

I finally found some time to work on pulling my spiral tapestry. And this evening I just finished the pulling. Hard to believe that was 13 yards of material!

This piece is going to be exhibited in the Spectrum show at Color Connects - the ASCH fiber conference in Riverside Ca in early March. On the entry form I had to say how big it was. Since I really had no idea of how big it would be I indicated it was smaller than a bread box. It sure would fit in my bread box...at least in this configuration.

It's now resting. Tomorrow I will play with it a bit...then...snipping, sewing, ironing, weaving the ends and figuring out the best way to display. What fun!

Mounting Mr. Clean

Here's a little something I just finished. This is a tapestry I did way back in 2006 for the ATA Small Format exhibit. The Seaside Tapestry Group did a group contribution to the exhibit called Vintage TVs. If I recall, each of our pieces had to be 4 inches by 6 inches and include some gray values.

My piece was Mr. Clean - the man of the kitchen in the 1950's and 1960's. He's got the huge biceps and the small earring. And there he is winking at you. The cabinet doors can be open all the way, part of the way or be closed. The television portion was woven in embroidery thread. The rest was in chenille.

I finally decided how to mount the piece. It has come off my bulletin board and moved onto its own wooden TV cabinet. The newly constructed TV cabinet has the cutest little feet. Mr. Clean can stand on its own or be hung on the wall. I think it is the perfect way to exhibit this piece.

I am going through all my older pieces and making sure they are mounted the best they can be. Another filler project...as if I need more projects!

Robert Burns

It's Robert Burns Day, the national poet of Scotland from the 1700's. To celebrate we had haggis, mash potatoes and turnips, peas and a bit of scotch.

We did not follow the formalities of the traditional Burns Supper.

We did however eat haggis.

Our version came in a can and required four minutes in the microwave. It kinda looked and smelled like a lamb flavored dog food. It actually did not taste bad; seemed like a combination of lamb liver, oatmeal and spices. Just goes to show how easy it is to exceed the lowest of low expectations.

I survived haggis and was able to weave another day.

Beetles Out and About

Here are some photos of pieces from My Beetle Collection. These plus others are currently being exhibited at the library at the LA Arboretum. The exhibit will be up until the end of March. They are designed to be realistic but artistic and woven with sulky sewing thread.



The pieces look especially nice coupled with baskets.


The Arboretum did a lovely job of hanging the exhibit.


So check it out if you are in the Pasadena area.

Back to Pulling

Well, the holidays are over and its time to start pulling again on my tapestry spiral.

Now that I am focusing on this, I have found a good way to pull that seems efficient and as quick as I can make it without making a mess. You may recall this woven tapestry material is over 13 yards long and there are 32 warp ends. That is a lot of warp to pull.

The crossed out boxes on the spreadsheet indicate a triangle that has been pulled. It indicates I am about half done.

I think it will still take several more weeks of pulling before its all pulled. I am alternating between weaving my tapestry of Uranus and pulling this spiral. Both need to get done soon. Then it will have a bunch of finished, steaming, tweaking and mounting.


PS it really is not as neat and tidy a process as this photo would imply...

Drape

Here is a photo of the silk scarf I decided to keep since it looks really nice with jeans...as you can see it is quite light, airy and is like wearing nothing...not a winter scarf.

Mushroom Foray

FOR-AY

noun

1. A sudden raid or military advance.



2. A venture or an initial attempt, especially outside one's usual area: an actor's foray into politics.
   
   

Yesterday, we took to the El Cariso Big Woods in the Cleveland National Forest with the Los Angeles Mycological Society. It was the Society's first foray for the 2008-2009 season. It was our first ever mushroom foray.

Of all the days to foray in Southern California we chose a cold and raining day. The spoils were meager but fun was had by all.

Here are photos of our spoils...

Hobo Scarves

I took this fun workshop with Brecia Kralovic-Logan on off loom weaving with silk strips.

We dyed various types of silk with Color Hue Dyes, tore them into strips, wove them and sewed them into place. To keep everything together for sewing we pinned the strips to plastic bags which dissolve in water. Once sewed we simply dumped the scarves in hot water and the plastic dissolved. The result was a light, airy and colorful scarf. I like to call them silk Hobo scarves since the silk strips are ripped and rough. Not like a typical silk scarf. They definately stand out when you wear one.

I used the same techniques to make some Christmas presents this year. My sister helped in dyeing the silk strips. It was nice having someone else dye the silk since she selected some colors which I would not have. The Color Hue dyes are so simple to use and work like a charm on silk. We dyed the strips in plastic bags over the kitchen sink. So easy. So fun.

Here are the results of all our labors...

I bought a variety of silk blanks from Dharma Trading and there were enough to make five scarves. I really wanted six scarves for my gift requirements this year so I could keep at least one.

Fortunately, I lucked out at our Guild's gift exchange this year. I brought one of these hobo scarves as my contribution to the gift exchange. The gifts are wrapped without labels so no one knows who gave what. Each person selects a gift in a predetermined order; either an unopened gift or they can take one away from someone who has already opened a gift. In our group, a lot of gifts are taken way. I got to select a gift about 2/3rds of the way through the exchange. Folks were getting a bit tired so I selected my own gift in hopes that no one else would take it away. And I was indeed lucky, I actually got to take home the gift I brought. Not an easy task to accomplish with our group.

Looking at the photo, the pieces look like they are made of plastic due to the reflection from the flash on the high value colors. Actually the pieces are soft and subtle with a variety of nuances from the variety of silk used in the scarves.

ps J,C,P,B,M - do you have a favorite? I'll be wrapping them next week!

An Exhibit Not Viewed

I wrote an article for the Complex Weavers Journal on My Beetle Collection.

Two of my beetles were on display in Florida during the Tampa Bay Convergence as part of a Complex Weavers sponsored exhibit. Photos of all the pieces are on the Complex Weavers website. I am bummed I was not able to view the exhibit in person - many of the pieces look exceptional.

Now back to my 'weaving wanna do' list...

Conversations in Fiber

The Southern California Handweavers Guild had their annual Weaving and Fiber Festival at the Torrance Cultural Center on Sunday. I was on the committee that spearheaded the Guild challenge for this year - it was called Conversations in Fiber.

This was the first exhibition of the Guild's annual challenge to its members. Each artist was challenged to have a conversation in fiber with either Georgia O'Keeffe or Piet Mondrian and use at least one of the conference colors from the upcoming fiber conference in Riverside called Color Connects. These conference colors are vibrant and saturated. These pieces will be exhibited again...in a different format at the conference in early March 2009.

Check out the photos. There were some simply outstanding pieces and of course great conversations everywhere! Thanks to all the artists that participated and to Carolyn who displayed the pieces with finesse and artistry.

Tapestry Spiral - 2 more yards done

Another couple of yards are done on my tapestry spiral. I am now up to 7 yards with 6 yards to go. It actually doesn't look too much different than when I had 5 yards done. I find it hard to believe there are so many yards on this...



Studying the photo you can see that the woven part has been removed from the front beam since it got so wide. I have it wrapped around an empty Christmas paper tube between a couple of rulers to keep it straight. When I am weaving, I put a metal pole in the tube to get a nice tension. Seems to work quite well.

The Story of the Hat

Our challenge this year for the Southern California Handweavers Guild was to have a conversation in fiber with either Piet Mondrian or Georgia O'Keeffe and use at least one of the Color Connects conference colors. All the Conversations will be exhibited at the Weaving and Fiber Festival on November 2 at the Torrance Cultural Center in Torrance California.

I created a hat. It is a 'Little Joe' cowboy hat covered in a mosaic of egg shells with a Mondrian inspired hat band.

These were the inspiration for the colors of my Mondrian Over Easy hat that I recently finished and will unveil to the group on Saturday. These are flowers from a garden down the street - we walk the dogs by these flowers almost everyday. They match nicely with the conference colors.

The band was straight when I wove it but during wet finishing I nudged it into a curve so the band would fit better on the hat.

Using egg shells as a surface design takes a bit of finesse, patience and steady hands. But the result is well worth the effort.

I love the hat. Can't wait for the Exhibit to be over so I can wear it.

If you are in Southern California on Sunday November 2 stop by and check it out in person at the Weaving & Fiber Festival taking place in the Torrance Cultural Center from 10pm to 4pm.

Mondrian Over Easy

Title: Mondrian over Easy, my conversation with Piet Mondrian

The Conversation

Piet: I construct lines and color combinations on a flat surface, in order to express general beauty with the utmost awareness.

Nicki: I use egg shells to make my lines emerge and metallic thread to make my colors pop but since the earth is round I prefer my curves to your flat surfaces.

Piet: Oh, curves are so emotional.

Nicki: But emotion ignites inspiration.

Piet: Nature inspires me… but I want to come as close as possible to the truth and abstract everything from that, until I reach the foundation of things.

Nicki: I understand. But does that not beg the question- which came first, the chicken or the egg?

Piet: Intellect confuses intuition.

My Color Wheel

The results of yesterday's dye day.

The colors came out great...a lovely set of saturated colors all in my tapestry yarn of choice.

I've taken a number of dye classes but I think using your own yarn, the yarn you use day in day out, is the way to go.

Tapestry Spiral - progress

A couple of you asked about progress on my tapestry spiral.

Here's a photo with about 5 yards completed - not quite half done. My goal is to weave two sections a day. It only takes about 20 minutes to do that and doesn't require much thought.

I wrote about yarn selection back in August. Here you can see the red sections are starting to become more prevalent and soon the green will recede more.

As you can see my front beam is almost full so I will have to remove the woven material from the front beam and have it hang down the front while I weave the rest. This was not unexpected and I have a plan on how I will make it work.

The real interesting question is whether there is enough warp to complete the entire design...

Weaving & Dogs

I felt like I was back in the Caribbean today...specifically the day we sailed from Virgin Gorda to Anegada in the British Virgin Islands. It was a beautiful December day and the trade winds were up. We planned to sail most of the way to Anegada even though it would require some long tacks. We had a GPS so we could track where we were...we would sail...we would tack...we would sail...we would tack...we'd sail some more...we'd tack some more.

After several hours, we got nowhere. It turned out we kept going over the same spot over and over again. The wind was so strong that no matter how wide we tacked the wind would take us back to where we started. A bit of ground hog day on the water. In order to get to Anegada before night we changed our approach - turned on the autopilot along with the engine and motor sailed all the way.

Anegada - a fabulous spot...away from everywhere...if you ever have the chance to stop by - do it.

Anyway, yesterday I got to the half way point on my Mondrian inspired hat band. This morning I wove an inch or two and then decided I had to rip. I just couldn't stand a small imperfection about four inches down. It looked like I snagged one or two warp ends...remember that the warp is thread so it was a tiny, a very tiny imperfection. But boy with every pass of my shuttle the bigger and more noticeable it became.

The thing about imperfections in weaving is that once I notice them they continue to nag at me as I weave. The further I get from the imperfection the more it bothers me and the worse it looks. I know deep down I should just stop and rip & fix when I first notice it...but I often end up thinking - oh it won't show or I can fix it later. This time I had to rip out about 80 passes. Then I had the toughest time fixing it. I re-wove the same row about five times before I was happy. I figured if I was fixing it - I should at least be completely satisfied. I finally said...enough. Time to do something different - time to weave some bricks. Hopefully, tomorrow morning I should be able to catch up and be half way done on the hatband... again.

Today is Wednesday...on Wednesdays I am supposed to work on my bricks. I have been a bit tardy on this project missing several Wednesdays. It's not due until next year...so I figure I have time.

I have now five rows of bricks with many more to come. The colors are starting to brighten as I move out of the browns and into the reds. Each brick has a different design. I get to weave whatever I feel like weaving - no structure. Only rule is that 'no brick is alike'. I finally broke down and created a color selection plan so I don't have to struggle with color selection.

I now find weaving my brick wall to be quite relaxing and fun. Similar to playing with the dogs.

One Quarter

One quarter of the hat band done...

Selecting a Balanced Palette

I have made substantial progress on my Guild challenge. As you may recall, the basic challenge was to have a conversation in fiber with either Mondrian or O'Keeffe. I had selected Mondrian and wanted a hat with a bird theme* ...

Well, it's all planned out and in the execution stage. My goal is to complete it by the end of September.

I originally had selected three saturated colors; a vibrant red-orange, a vibrant yellow-orange and a teal. I have since tossed the teal and replaced it with a magenta or fuchsia color - a red purple. While walking the dogs I had seen a grouping of flowers in those three analogous colors and they looked excellent together. So now they will become part of my headband.


Here's a photo of my final colors in Sulky sewing thread.

I designed an initial cartoon as a starting point by simply putting boxes and colors where they seemed 'right' in a self made Mondrian design. I wrote about that here. Later I studied the design and decided I needed to have a better balance of the colors - no one color should stand out and I wanted it to be a bit easier to weave.

To make it easier to weave I decided to have squares the width of the band, one in each color located equally around the band. I would then put the smaller rectangles and squares along with the greater complexity between the squares.

Here is the final design in close to the size it will be once woven. The colors aren't true in the cartoon nor in the photo. It was created in excel. When I am ready to weave I will print it out larger so I can actually read each row and column since they indicate which shafts should be raised for each shuttle of colored thread. [You may notice the proportions don't look quite right...yes...I was a bit lazy. Those squares in the cartoon would have been a bit more square if I had worked on getting the rows and columns in excel to be the same size...]

Anyway, it took a while to get to this point since I took a couple of iterations to get a good balance between the three analogous colors. Mondrian tended to use a lot of white with a few other colors always separated by black. The other colors were always proportionally balanced. I figured if I was trying to converse with Mondrian, this part of the conversation should be balanced.

My first step was to figure out how much of each color I had in the design. Since I did it in excel, it was pretty easy to get. I discovered the red/orange occupied the greatest proportion of the design with the red/purple and yellow/orange having smaller and similar proportions. Whether that is a good balance depends on how visually intense each of the colors are. If they are equally intense then they should be in equal proportions and I would need to alter my design.

I used concept of balance in the Munsell Color Theory Handbook that I have been studying. It says to achieve balance you need a good balance of both chroma and value. For example, if you have two colors - one with a stronger chroma and higher value and the other with a weaker chroma and lower value, you would need to use less of the first and more of the second proportionally to achieve balance.

To determine a numerical value for the chroma and value of my three colors, I matched them to the color chips in my Color Handbook. Multiplying chroma by the value gives a representation of the overall impact of the color. I converted those to proportions and discovered that the red-purple will stand out much less than the other two colors and hence would need to occupy a greater proportion of the final piece in order for there to be a good balance.

I was again lucky. I did not have to re-do my design. All I had to do was switch the red-purple with the red/orange and the resulting proportions were in the ballpark for a good balance. A quick switch in excel, the design was done and I was ready to weave.

Now on to sampling... Here is a photo of my sample where I needed to determine how many colors and strands of thread I wanted to weave with in this piece.

I was again lucky. Using two strands of each of the five colors will yield a balanced weave and provide good coverage for the head band. Therefore, I only have to weave one pass for each row in my cartoon. This makes things so much easier.

This afternoon, I actually started weaving the headband and it looks quite astonishing. I love it. Once I have a few more inches done I will take a photo with my better camera to give you a sneak peak at the work in progress.

* You also may be wondering how the bird fits into this creation...trust me...it does...it too is quite astonishing...more later.

Weaving a Way

I have been weaving up a storm recently with little time to blog. It has been an extremely satisfying month.

I have woven three tapestries in a series called Deja Vu and come up with two more ideas for pieces in the series. As soon as they are 'framed' I will show some photos.

I have made great progress on my mosaic for our Guild challenge. I still have not yet started the weaving for the hat band...but I reserved September for that part...oh my...it is already September...better start working on that too!

At the next meeting of the Southern California Handweavers Guild I am giving a quick demonstration of the pulled tapestry technique. I decided to show how to make a frame for a picture. It should be an easy piece to pull in front of everyone.

Long ago I bought five small canvases at Blicks...each canvas is 2 inches square. They have been sitting by my desk waiting for inspiration. Well inspiration hit and I am now feverishly making tapestry frames for each one and will then paint something which will go with the frame. The reverse of most people's method.

Here is my first attempt - -




The painting isn't done yet. That is simply magic marker to give me an idea what the a painting would look like in the frame. I will do the final one in acrylics. I think it looks pretty neat. A bit of finishing plus a painting and life will be good.

Yarn Selection Done

I finished up the yarn dying, selection and preparation for my spiral tapestry.

The piece is basically stripes which alternate between two colors of equal value separated by a lighter value. I needed two colors of similar value since I plan to have the two colors alternate and merge from one color to the other. If they were not of similar values then the eye would notice one over the other and it would be difficult for the two colors to effortlessly merge.

As you can see in the photo above, the values worked out well. As did the final colors, shown in the photo below.

Half a Palette

I am now satisfied with the red/orange palette that I have created for my spiral tapestry. Here are the yarns that I started out with. They are from my existing stash and are so dull that I doubt I would ever use them again.


I then over dyed them with scarlet. I am simply delighted with the results...



Next I need a contrasting color...I am working on a green blue mix.

Another Beginning

I am planning a three dimensional piece for the Spectrum exhibit at Color Connects, a fiber conference focusing on color taking place in Riverside California in early March 2009. I'd like it done by January 15th - the time entry forms are due.

The Spectrum exhibit is supposed to reflect your latest and best work...

I am pursuing an idea using the pulled tapestry technique I learned about in June while attending Convergence. I already have put thirteen yards of warp on my loom and woven a sample.

Oh my, thirteen yards of warp...it must be huge! Actually when complete it should fit in a bread box. As if anyone still has bread boxes anymore.

Oh my, I am sampling! Sampling is not one of my standard operating procedures. But with 13 yards of warp it pays to donate a foot or two of the warp to verifying the concept which I have never done before will work. The piece IS supposed to be my latest and best work...


Yarn selection is next...

Brick Wednesday Update

It's Wednesday again and I was able to fit a couple of bricks onto the tapestry wall I am weaving.

Today I wanted to try out that 'turn on the valley or mountain' concept. I have heard about it but never really explored it. I generally turn whenever to achieve whatever look I want to get...without any real thought about it. Koehler emphasized that you should be consistent in which you chose in each area for the best looking result.

Koehler explained that if you are weaving an area where one color is increasing and the other decreasing, you can achieve two different looks at the point the two colors change. The look depends upon whether you turn the brown yarn around the warp that is up or around the warp that is down. So I wove a brick and always turned the brown warp on the lower warp to see what would happen.

Yup...there is a difference. As you can see, on the bottom half, where the brown yarn is decreasing, turning on the lower warp yields a more ragged look than on the upper half of the photo where the brown yarn was increasing. Interesting.

So let's see...where two colors meet along a line...one color will be increasing and the other will be decreasing. For a smoother line, have the decreasing one always turn on the upper warps [then, of course, the increasing one will then turn on the lower warps].

Hmmm...I think I will need to really focus on this next time I am weaving a section where the concept applies. Not the easiest thing to remember.

I wonder how the line would look if I alternated each time...